![]() ![]() In addition to these three standard dom7 chord tones, we can add altered 9th and 5th degree scale tones, namely the b9, #9, b5 and #5. This has a standard root, major 3rd and minor 7th intervallic construction. The other area the article touches on is the altered dominant chord. Therefore the A/B chord would be an A major triad (A C# E) with a B bass note. If we start on D then a D minor chord is created (D F A) and so on.įor slash chord notation, remember that the first letter is the triad and the second letter is the bass note. If we continue this process we add B (major 7th), D (9th) and so on, right up to A (13th). Take for instance the C major scale (C D E F G A B) if we stack thirds from C major we get C, E and G, which creates a C major triad. Many of the examples in this feature are created by harmonising the major scale in diatonic thirds. Each chord example has a brief explanation of its intervallic construction so you can memorise the structure and experiment with your own voicings. ![]() We have divided the chord types into the following types: triads, sus chords, add chords, 7th chords, extended chords, 9th, 11th, 13th, altered dominants and slash chords.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |